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E: info@signalspacelab.com

P: +1 514 321 9980

A: 338 Rue Saint Antoine E #204
Montreal, QC, Canada
H2Y 1A3

Category: All articles

Afterlife: VR as a stage to perform and connect

Afterlife: VR as a stage to perform and connect

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Coming from a long career as an actress and as an experienced stage director in Canada, Alison Darcy became a crucial crew member to Afterlife's production. Working closely with the director Luisa Valencia as a co-writer, Alison also contributed to the project with directing the actors, staging, and blocking. In Afterlife, she guided Canadian stars [...]
Creating Dynamic Cinematic VR Experiences

Creating Dynamic Cinematic VR Experiences

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In this episode of How To Create VR, Marcelo Lewin chats with Signal Space Lab's VR Director Luisa Valencia and Interactive Director Étienne Archambault about the processes and techniques involved in creating dynamic live-action experiences in virtual reality. Listen and learn more about how we approach the production of our stories and what tools we [...]
We Happy Few: Game Audio Talks

We Happy Few: Game Audio Talks

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In this Game Audio Talk series, Cujo Sound guide us across a complete review of We Happy Few audio‘s aesthetics and features. In these videos, besides exploring the various visual environments of the game, you will be able to dive into Cujo’s appreciation of our work on the sound design, mix, foley, localization, music and […]

Afterlife: motion in live-action VR

Afterlife: motion in live-action VR

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What we want to accomplish with the production of Afterlife? Lead Technical Artist, Etienne Archambault tells you more about it. If you are intrigued about the technical developments on set and want to know more details, we invite you to read our previous developer diary entry: On set through the lens of a new camera [...]
Afterlife: on set through the lens of a new camera system

Afterlife: on set through the lens of a new camera system

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Notes by Humberto Rodriguez, Technical Director at Signal Space Lab When we began creating cinematographic experiences for virtual reality, we saw a fundamental flaw in the available solutions on the market for introducing action and motion to room-sized scenes. Compared to outdoor VR footage, most of the VR content in room-sized spaces usually set the [...]
Towards an alternative language in VR

Towards an alternative language in VR

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> VRTL Feature Seeking distinctive approaches to new media content, Signal Space Lab expanded in 2016 beyond its original audio studio offerings and opened an entirely new unit specialized in virtual (VR), augmented (AR) and mixed reality (XR). As the virtual space is mostly populated by computer-generated images (CGI), the studio gained particular interest in [...]
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